There are several tools to adjust an image and users can choose the best for each job. We show the new controls are flexible and can be used in various ways to signficantly reduce ink costs. Photoshop does an excellent job, but having to jump back and forth between Photoshop and the RIP is not as cost efficent for white layer creation as making the white layer directly in the RIP.īelow we compare the total ink cost per shirt of the Old Way against 5 variations of new white ink masking controls. On other images you can drop a background color without having to bring the image into Photoshop. With the newly added density and contrast controls you can create more accurate white layers. The new controls for masking and silhouetting work with backgrounds that are transparent, black or colored.
#DTG RIP PRO SOFTWARE SOFTWARE#
Contact Us.New interactive white ink controls have been added to this powerful software RIP. Print From the RIP and use the new masking controls Below we compare the total ink cost per shirt of the Old Way against 5 variations of new white ink masking controls. You can easily tweak any of the values in a CMYK chart for a perfect match.īeing able to send CMYK values directly to the printer, with no changes or color surprises, can keep a fussy customer happy and coming back. The very best way to get an exact color match is to print a CMYK color chart and have your customer choose a color from it. If you have been in the business for awhile, you know that some customers want an exact match to a particular color, like a logo.
Most of us print RGB art that we scan in or capture from the web. We show the new controls are flexible and can be used in various ways to significantly reduce ink costs. Below we compare the total ink cost per shirt of the Old Way against 5 variations of new white ink masking controls. You can see the benefit of doing this directly in the RIP where you get immediate feed back and costs can be quickly calculated, as opposed to going back and forth between RIP and Photoshop. These new methods can save you money over just placing white ink under colored pixels These controls work best on complex images, where there is a lot of shading. Preview the image and then make another test run and compare the ink costs. Maybe you might make some more adjustments to see if the ink costs can be reduced even more. You do not have to print the shirt to see the ink costs. After making adjustments you can quickly RIP the file with the printers on hold and see an ink cost report. You make adjustments to the white and colored layers and see a preview of how the different layers will look. Making these adjustments in the RIP can reduce our white ink cost as well as our colored ink cost. If we are printing on a black shrit we can use the black of the shirt to replace black ink. Additional adjustments to the black layer enhance what we have done to the white layers. To achieve soft vignettes we make adjustments to the white and color layers to produce the effects we want. The ideal way to reproduce this image is with soft edges fading gently into the background. Photoshop does an excellent job, but having to jump back and forth between Photoshop and the RIP is not as cost efficent for white layer creation as making the white layer directly in the RIP.
New interactive white ink controls have been added to this powerful software RIP. Please write in the order comments what brand and model garment printer you have.
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